DrumShed's polyrhythm drill stacks two independent rhythms and lets you hear how they interlock. Start simple, build to complex. Internalize the relationship.

Polyrhythms feel impossible because you're trying to count two things at once. The solution: stop counting and start feeling. The drill trains your body to hold both pulses.
3:2, 4:3, 5:4, 7:4, 5:3 — configure any two rhythms. The drill plays both simultaneously with distinct sounds.
Adjust the volume of each rhythm independently. Start by hearing both clearly, then reduce one to internalize it.
Begin at a tempo where you can hear every note of both rhythms. Speed up only when the relationship is locked in.
Once you can feel both rhythms, mute one. Can you maintain the other? This is the real test.
See both rhythms displayed in notation. Understand where they align and where they diverge.
Every polyrhythm session is logged. See which ratios you've mastered and which need more work.
Different modes for different stages of your polyrhythm journey.
Loop a single ratio. Base pulse plays alone, then the poly layer enters. Stay here until you can feel it without thinking.
Walk through ratios from simple to complex — 3:2 → 4:3 → 5:4. Build broad polyrhythmic fluency in one session.
Alternate between two different ratios each cycle. Train your brain to switch polyrhythmic feels without losing tempo.
Flip a single ratio every N bars — 3:2 then 2:3 then 3:2. Same notes, opposite feel. Drills the brain to hear either pulse as home.
Sing one rhythm while playing the other. Then swap. This builds the independence that makes polyrhythms feel natural.
Play the base pulse with feet and the poly with hands. Essential for real-world limb independence.
3:2 (Afro-Cuban), 4:3 (jazz), 5:4 (prog), 7:4 (advanced). Each builds on the last.
If a ratio feels impossible, halve the tempo. The relationship becomes clearer when every note is audible.
Free on iPhone and iPad

