The chart calls for 132 and a swing-to-funk flip in the bridge. Drill the exact tempo and the exact switch until walking in cold isn't part of it.

Build sessions that mirror audition requirements. Stack drills for each skill being tested.
Tempo builder ensures you can nail exact BPMs. Start below target, ramp to it, hold it.
Feel transitions drill prepares you for genre switching. Straight to swing, shuffle to Latin — on demand.
The dynamic control drill works the whole span — ghost notes that whisper up to accents that cut. Hold a backbeat steady while everything around it moves.
Browse community patterns you haven't seen before. Practice reading and playing new grooves and fills on the spot.
Every prep run lands in your practice history — tempo, drill, duration. Watch the ramp from 122 to 142 fill in over two weeks instead of hoping it did.
Auditions reward the drummer who prepared on a schedule, not the one who crammed. Here's the last two weeks, planned.
Build a session for each audition piece and run it at the tempo on the chart. If it says 132, you drill 132 — not "somewhere around there."
Bands rush. MDs drag. Ramp from 122 through 142 so the marked tempo sits in the middle of your range, not at the edge of it.
One complete pass at the marked tempos, no stopping. If it runs clean, you rest — the work is already in your hands.
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Walk in prepared. Walk out hired.