Straight or swung isn't a switch — it's a dial. Build shuffle and swing grooves with real percentages, swing one voice while another stays straight, and practice against a click that shuffles with you.

A shuffle moves the off-beat late. At 0% the 8ths are dead straight; at 100% the off-beat lands on the last third of the beat — a full triplet feel. Every great shuffle lives somewhere on that line, and most of the grooves you love aren't at either end: a light 20–35% lean gives funk, soul, and heartland rock their pull without swinging all the way to a triplet.
DrumShed treats that line as a first-class control. Pick the grid the swing hangs on — 8ths for a classic shuffle, 16ths for the half-time and hip-hop lean — and set the percentage you actually want. Then, if you want to get surgical, set it per voice.
0 is straight, 100 is full triplet, and the dial covers everything between — on an 8th or 16th shuffle grid you choose. Hear the exact amount, not a straight-or-swung toggle.
Swing the hi-hats while the kick stays planted, or shuffle the whole kit at once. The pattern editor sets feel per voice, which is where real grooves live.
The beat builder's feel step puts shuffle and pocket on the way out the door — dial the lean into a groove as you create it, not as an afterthought.
Say 'light shuffle, funk feel' in plain English and the AI dials the percentages for you. Tweak the numbers after — they're all exposed.
The main metronome shuffles its own click at the same real percentages — free, no drill required. Practice the feel against a click that already has it.
Save the groove, drill it at climbing tempos, and schedule it into a path when it's worth a week of your calendar.
Swing an entire voice, or shuffle the whole pattern — the grid shows exactly where every note leans.

Swing — percentage against the shuffle grid

Pocket / shuffle an entire voice at once
Lock the full triplet shuffle first — it's the easiest to hear. Then pull the percentage down toward the feel you want and keep the groove intact on the way.
Set the swing on the time-keeping voice and leave the kick straight. The tension between them is the lean you hear on classic funk and soul records.
Shuffle the metronome click to the same percentage as the pattern. Practicing a swung groove against a straight click makes your hands argue with your ears.
The 8th-note shuffle is the blues bar; the 16th-note shuffle is hip-hop, neo-soul, and half-time feels. Same dial, different grid — try both against one pattern.
Build the shuffle you hear in your head.