Upload a song, solo the drums, slow them to half speed at the same pitch, and loop the bar you’re on. When you can hear it, build it in the editor, drill it, and go play it with the band.

Solo the drums. The band drops away and the part is all that is left.
Half speed, same pitch. A fill becomes countable hits.
One or two bars on repeat until you can sing it.
Tap what you hear into the grid — voices, sticking, accents.
Ladder it up to tempo like any other pattern.
Drums back to zero. Play it with the band.
01
Pick a track, or upload a song
Nearly 200 built-in backing tracks by genre and tempo, drums already out — or an MP3, M4A, WAV or FLAC up to 15 minutes: a rehearsal take, a demo, the track you’re learning. Files only, never a streaming link.
02
DrumShed takes the drums out
The drums are separated from the band, the tempo and downbeats are found, and a grid is laid over the take bar by bar.
03
Sit in
Play along with the band and no drums, solo the drums to learn the part, slow it to half speed at the same pitch, and loop the bars you need.
Most of what makes a drum part hard to hear is not the drums — it is everything on top of them. Pull the band away and the hi-hat pattern under the vocal, the ghost notes under the guitar, and the kick against the bass all become audible. Slow it to half speed and the sixteenth-note fill you kept losing turns into six hits with a sticking you can count.
The click matters here too. DrumShed maps the take’s downbeats when you upload, so the click follows the song and the bar counter tells you where you are. You are not guessing whether that fill started on the “and” of three — you can see it against the grid, loop that bar, and check.
Once you can hear it, tap it into the grid editor, and it becomes a pattern like any other: notation, sticking, a tempo ladder, a place in a session. Coming next: DrumShed writes that part out for you from the isolated drums, bar by bar.



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Isolate the drums, slow them down, and work one bar at a time. In DrumShed you upload the song, solo the separated drum part, drop the speed to half at the same pitch, loop the bar you are on, and count it against the click that follows the take. Once you can hear it, build it in the editor and drill it; then put the drums back to zero and play it with the band.
Slow it further and narrow the loop. At 0.5× a fast fill turns into hits you can count, and a two-bar loop repeats the phrase until the sticking shows itself. The isolated drums also remove the guitar and vocal that were masking the hi-hat and ghost notes.
No. Songs › Built-in has nearly 200 royalty-free backing tracks spanning sixteen genres — rock, funk, jazz, gospel, Latin, metal and more — each with the drums already separated and a click on its grid. Filter by genre, pick a tempo, play. Uploading is for when it has to be a particular song.
No. Speed runs from half speed to full at the same pitch, so a song at 0.6× still sits in its key — you are hearing the band slower, not lower.
When you upload, DrumShed finds the tempo and the downbeats of the take and lays a grid over it bar by bar. The click follows that grid — including tempo drift in a live recording — and you can nudge it earlier or later until it sits right to your ear.
Yes. Add a whole song or a bar range — say bars 9 to 16 — as a session item next to your drills, loop it, and it counts toward your practice time and streak like any drill.
Three songs a month are included on every account. All Access includes 150 song & sheet-music uploads a month (beta). The separation runs on our servers, which is why it is metered.
Hear it. Build it. Play it.