Common sticking patterns and when to use them. From single strokes to paradiddles to linear patterns — the stickings that build fills, grooves, and independence.

The foundation — hands take turns.
RLRL RLRLSpeed, even sound, single stroke rolls. The default sticking for 16th-note fills.
RRLL RRLLRolls, speed bursts, opening up the kit. Each hand plays two notes before switching.
RRRLLLTriplet patterns, 6/8 feels, flowing runs across toms.
Single-double combinations that cycle the accent.
RLRR LRLLThe most versatile sticking. Accent shifts every 4 notes, naturally moving around drums.
RLLR LRRLStarts with a double. Creates syncopated accent patterns.
RRLR LLRLDouble at the front. Changes where the accent falls in the group.
RLRRLLSix-note grouping. Perfect for shuffle and 6/8 patterns.
Each hand plays independently — no two voices at once.
R L K R L K R LThree-note RLK cell cycled across 16ths. Creates a 3-over-4 polymetric feel that resolves every three beats.
R L K K R L K KFour-note cell with a double kick. The workhorse linear cell — snare-hat-kick-kick sits square in 16ths.
The sticking serves the accent pattern.
Rlrl LrlrDownbeat emphasis. The most natural accent pattern.
rLrl rLrlSecond-sixteenth syncopation. Accenting the e pushes against the pulse and creates forward motion.
rlRl rlRlThe offbeat. Accenting the & lifts the groove — the upbeat skank feel.
rlrL rlrLDisplaced accent on the last sixteenth. Creates tension and surprise.
DrumShed's Fill Builder includes 36,700+ sticking patterns. Select any sticking, apply accent shapes, assign voices to drums, and hear it at your tempo. Nearly every sticking on this page is in the pool — triple strokes are the exception, since the pool caps at two consecutive strokes per hand.
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